Bach thoughts

The weekend absolutely flew by! I was mostly working though Louie and I did get to enjoy a nice (but hot) bike ride along the Riverfront Trail on Monday morning.

I’m just popping in for a quick blog post. I know many of you are eagerly waiting to hear more about my travels, and I will, I will tell you!

But not now because I am still busy scheduling and rescheduling students, and mostly busy practicing for an upcoming recital/concert on October 2.

I’m performing Bach’s C Major Violin Sonata for the first time ever, and I’m totally overwhelmed and stressed by this. I’m playing from memory, as one must…at least that’s how I feel about it. The fugue is ridiculous and amazing…I remember the first time I ever heard it (I believe on a CD while I was in high school) and I was blown away by, how could music be like that? It was nothing like I’d ever heard before.

There are 3 Sonatas and 3 Partitas for Solo Violin by Bach, and I’ve performed most of all the other ones except for the C Major (Sonata no. 3), so it was time. And this concert is in a big church, so it will be very nice for Bach.

The thing about solo Bach is…well, there are millions of different ways to perform it, so there’s the fact of deciding how I want to play it, while worrying (and I know I shouldn’t but I do) that any other musicians in the audience will be judging me for playing inauthentically or NOT in the style that they think it should be. Plus worrying about memory and intonation and all of that.

And I’m doing all of this mostly for free. I teach and play gigs and weddings, but most of the “serious” concerts I play are basically for free. I do often get a small stipend, but when you consider all the practice and rehearsal that goes into them…not that I’m complaining, but just telling you.

It’s kind of ridiculous, except those are what I live for! Those concerts are WHY I play the violin, why I insist upon making a living doing this, and why I teach. Especially why I teach, so that my students can appreciate and love a piece of music as much as I do. And if I didn’t surround myself with music all the time, I wouldn’t be the musician I am.

If you aren’t a musician, or if you aren’t crazy this post might not resonate with you, but perhaps you can all appreciate the feeling of worrying about what everybody thinks while just really doing something that you care deeply about that takes up a lot of work…not for financial gain, but simply for yourself.

I do hard things because I can. I look forward to performing, I look forward to being done performing, and knowing that I did something difficult, something challenging, something that might seem pointless (I mean, really, how many times can one play Brahms and Bach and Beethoven…but really, the answer is an infinite number of times, and not everything we do with music has to be new and different and sometimes it can simply be something we love and if that’s the same thing that hundreds of other violinists loved, and maybe even played better, music isn’t a zero-sum game…)…

And what I sometimes forget: maybe somebody in the audience will hear the fugue for the first time, and they will be amazed and changed, just like I was. Just because hundreds or thousands of violinist have performed it, not everybody has heard it. There are people in the world who have never heard Dvorak’s American Quartet, or Beethoven’s Fifth Symphony, or perhaps (less likely, but perhaps) Mozart’s Eine Kleine Nachtmusik.

I’m not even sure where I’m going with this, except that I feel better having written it.

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