Category Archives: Performing

SLSO performs Mahler 3

What do you think of when you think of Mahler?  Horns?  Lots of people on stage?  Chorus?  Really long symphonies? That guy who sat near you at the concert texting the libretto to Mahler 2 to someone as it appeared on the screen…even though it is available online and in the score and the light from his phone was incredibly annoying, leading my friend to exclaim "that’s the last time I’m ever going to be friendly to anyone!"?

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Violins?

(I really just wanted to post this picture because it’s funny how much taller I am than everybody else…including the other teacher in the picture with me.  Also my neck looks broken.)

But.  Mahler.  The greatest of all composers.  Except maybe Beethoven.  Okay, don’t make me decide, that’s just not fair. I’ll take late Beethoven quartets and my Mahler symphonies and die a happy woman.

This weekend the Symphony is playing Mahler’s Symphony no. 3.  I’m going Friday night, but the performance repeats on Saturday night if you are busy watching baseball or something on Friday.  (I don’t watch my team, that just ruins things.)

I recommend you listen to (well, at least the beginning of) Mahler 3.  It’s the longest symphony by Mahler, and is just wonderful and intense and covers all the emotions.  As always for Mahler, I’d rather play than listen, but I’m happy to do both.  I can’t wait.

Here’s the Wikipedia article about the piece: Mahler’s Third Symphony.

And the music itself.  That one starts right away.

And this one is of Leonard Bernstein and has the entire symphony, so if you have an hour and a half to listen, go for it!  I’m bothered by the fact that the first 45 seconds or so are silence, but be patient.

I’m listening to it right now!

I can only think of two times I’ve played Mahler 3…I might be forgetting something, but I think it’s just twice.  Once with National Repertory Orchestra and once with the Charlotte Symphony.  I’ve definitely heard the Cleveland Orchestra play it, and I feel like there is probably another performance in there somewhere, but I can’t remember everything!

Since I’m talking about orchestras and music, now is a good time to share some links I’ve read recently.  You may be aware that various orchestras are running into financial difficulties and many players are being asked to make concessions.  Classical music, and indeed, the arts, are so often the first thing cut when people have money issues.  I’m lucky that my parents considered music lessons to be of the utmost important when we were growing up—even though money was tight, there was always room for lessons.  Without them, where would I be today?  I can attribute most of my success and happiness in life to my music lessons.  Sadly most people do not feel this way.

A friend quoted the National Endowment for the Arts’ motto recently:  "A great  nation deserves great art."  I guess it depends on whether or not you consider the US to be a great nation.  I certainly do. 

It’s important to remember that for the vast majority of American orchestral players, a spot in an orchestra does not bring a six-figure salary, or even, in many cases, a living wage. (from the Philadelphia Inquirer)

How to turn things around (one man’s opinion)

Does skill justify their pay? (From Minnesota Public Radio)

The MLB sides with the Atlanta Symphony Musicians– "the Players ARE the Game" (sadly the orchestra had to take a crappy settlement, cut their salaries, cut their weeks and their players, while the management remains bloated and overpaid…)

Many boards seem to think that musicians are easily replaceable… if this is the case why do so many positions go unfilled?

Oh, and to make things end on a happy note (though with Mahler looming that hardly seems necessary!)–

The St Louis Symphony just had its best year in a decade (from the Riverfront Times)

We classical musicians are constantly reinventing ourselves and battling against people who don’t see the difference between a teacher or performer with advanced degrees and a high school student…I could go on for days on a soapbox about that…the best way to teach people to tell the difference is to just continue to perform and teach at a very high level.  The further along my students get the more they stop simply impressed by someone playing the violin and start being impressed by HOW someone plays the violin…the difference between a beginner and Itzhak Perlman for instance.

Oh and here’s Perlman on the Colbert Report, speaking of ;)  This delighted me to no end—a famous classical musician on a popular show.  FANTASTIC!  And great news for violin, right?  At least for every few steps back we take a few steps forward. 

Ashokan Farewell Video

I tweeted about this video the other day, but I wanted to directly share it with you all.  It’s me, playing Ashokan Farewell in a video made by the amazing and talented Sarah Crowder.  We made the video for fun and so she could have practice doing music videos, and I think it turned out pretty well.  It was taken on the Katy Trail.  I hope you enjoy!

Mariachi Madness

Chris and I have wanted to see our friend Elizabeth’s Mariachi band for awhile and the other night we finally had our chance.  She plays with the band “Mariachi Los Compadres” and they play on the second and fourth Wednesdays of each month at El Paisano Mexican Restaurant.  We decided to go for dinner.

It was SO MUCH FUN!  We thought it would be enjoyable to see her play, but the band was great and it was a wonderful evening.  The food is fine, nothing terribly exciting, but not terrible, and the margaritas are very good.

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(the remnants of our margaritas!)

The band moved around a bit, so no matter where you sit, you are guaranteed they will play up close to you for at least one song.  Elizabeth wants me to join the band or play when she can’t, and I’m seriously considering it—they seemed like a fun bunch and the music was very enjoyable.

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(elizabeth, looking good)

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(playing the violin, why so serious?)

The costumes are pretty fantastic as well, aren’t they?  Chris wants me to play just for the costume.

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(This guitar player was one of our favorites.)

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We met up with Joe and Michelle—they live very nearby.

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(Don’t ask why my neck is so weird looking.)

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(The whole band!)

All in all it was a great night, and we would go again.  And maybe I’ll play with the group someday soon.  Being a violinist gives me so many options, doesn’t it?

Meet Hannah

{I posted this for our blog at Chamber Project St Louis today.  I’m including it here as well so you can learn more about me as well, but please visit those links to support us and tell you more about the group.}

 

Hi everybody.  I’m Hannah and I play the violin.  The group asked me to write a blog entry about myself, and even though I write my own blog about myself all the time, I am having a hard time figuring out what to write about here—

Playing violin with Chamber Project St. Louis has been such a fun experience!  Let me tell you how my lifelong journey with the violin has led me here.

I started playing violin at the age of 5 using the Suzuki Method.  If you aren’t familiar with the Suzuki Method, the concept is that one can learn to play a musical instrument the same way one learns a language—starting young, listening to the music, repeating familiar songs (words), and with active parental involvement and positive reinforcement.  I loved played the violin, but mostly I loved playing the violin with other people, an opportunity I had in Suzuki group lessons.

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(And FOR other people too!)

As I grew up and continued to play, I became more serious about music, and found great joy (while having a lot of fun!) collaborating with other musicians.  My first love was orchestra.  I played in the Carolina Youth Symphony for many years, and looked forward to the weekly rehearsals.  I loved the camaraderie of playing in a large group, and was inspired by how the entirety of the orchestra—the collective sound, the togetherness of the experience—was (cliché ahead!) truly greater than the sum of the individual parts.

As far as chamber music went, my only real experience until I got to late high school was playing duets with my sister Leslie, who is also a violinist.  As I grew older and more experienced,  I learned that playing chamber music with people who are not related to you is different than playing with your sister.  You see, with those pesky non-relatives you have to be nicer and more diplomatic, and “because I’m older” is generally not an acceptable reason to do things your way.  However, it is less likely that your fellow musicians will burst into tears or threaten to “tell mom”, so that’s a definite bonus!

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(Performing with Leslie on one of her graduate recitals)

Anyway, by the time I got to high school I knew I wanted to go into music for a living.  My goal was to become a violinist in a major symphony orchestra.  Since I had so far pretty much achieved every goal I set my mind to I didn’t see any reason why I wouldn’t achieve that goal as well.  I went to the Cleveland Institute of Music for college, and stayed there for graduate school as well.  During that time I practiced hard, had many amazing orchestral and chamber music experiences, and, well, met my husband, Chris.  I also began to realize how difficult it was to get a job in a symphony orchestra.

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(Me, playing the violin a couple of years ago…at a wedding!)

Nonetheless I wasn’t going to let that challenge stop me.  I won my first (and probably last) symphony job right out of school and moved to North Carolina to play with the Charlotte Symphony.  I had done it—I had realized my dream!  I was on the cusp of my new life and career as a professional orchestral musician and couldn’t wait for the future.  But the future wouldn’t turn out quite as I thought (does it ever?)  After playing a couple of seasons with the orchestra, I just wasn’t…happy—I realized that professional achievement doesn’t automatically bring about personal fulfillment, and, frankly, I was miserable without Chris nearby.  I left after a couple of years to return to Ohio to freelance and teach.  Chris did a variety of different things, and then ultimately we decided to move to St Louis so he could play with the Symphony here.

That didn’t leave much for me to do, unfortunately, so when the ladies of Chamber Project asked me to play a concert with them the other year, I jumped on it!  After enduring a couple of years devoid of chamber music, it was a lifesaver.  Not only are they all delightful people and friends, they are wonderful to work with and fun to make music with.  I’ve learned so much from everyone and from playing with Chamber Project, not just musically, but in terms of engaging the audience, public speaking, and all kinds of administrative-type stuff that goes into running a chamber music group.  It’s been great, and I’m honored to be a part of it.

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(after our March concert at the Wine Press)

It’s funny how life surprises you.  If you’d asked 16 year old Hannah if she thought she’d follow a man to a city where she didn’t have any work she would have smacked you.  If you’d asked that same Hannah if she thought she’d love playing chamber music with a bunch of women who had a chamber music project and a dream, she would have laughed in your face.  But here I am, and all I know is that each year just keeps getting better.

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(Warming up for a performance in April)

I hope you can join us for our Audience Choice Concert on June 1 at 8 pm at the Chapel.  I’ll be playing!

Prokofiev (and lots of asides)

I am having a wonderful time working on Prokofiev’s Sonata for Solo Violin and the Duo (for two violins)—just one movement of each, but still.  WHY don’t I play more Prokofiev??

My sister Leslie and I performed the Duo on her second Master of Music recital back in…2004?  I’m too tired to think about it, but I got this picture from 2004 on my computer.

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And this one, close up on pores and eyebrows (but I remember thinking it was a fabulous picture at the time).

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Yes, friends, that is in the hallowed halls of CIM.  Where else are there blue/green brick walls??

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I evidently wanted my features more in the middle of my face.

Anyway, Leslie played some other stuff on her recital too, but the highlight was (obviously) the Duo for Two Violins.  We’ve decided to reprise the second movement for our encore in April after the concerto performance (in South Carolina, at Presbyterian College). 

The other important thing about that time was that it was right around the time that the heat broke in our apartment.  Little did we know this would lead to a three month long battle with our landlord, moving to a new place, breaking our lease, suing, and ultimately them settling.  Awesome.  I remember mainly being cold and angry, and feeling helpless.  I hate feeling helpless. (Stating the obvious, of course, because who does?)  Our new place was nicer anyway, but we only lived there a few months, and then Leslie went to Phoenix.  So, the Prokofiev (in a really contrived, stretched out way) represents our last bit of living together before we branched out on our own.  The end of childhood and the beginning of adulthood.  (Now I’m just making stuff up.)

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Another picture on my computer in the "2004" folder.  Yes, that’s the fatness ("Oistrakh"), and her old friend "Heifetz" who is no longer with us.  (It’s the sad.  She was my first real pet, and was wonderful.)

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Rarely did they sit this close.  Must have been cold—I still have that cow pillow and the blankets!  Not the couch, ha! 

In a nutshell, I really love Prokofiev.  The D Major Concerto no. 1 is perhaps my favorite violin concerto (I say, perhaps, please don’t make me choose), Symphony no. 5 (two words, midget porn), Lieutenant Kije (TROIKA!), and more…

That said, I’m not sure how I feel about the SLSO’s latest marketing campaign for Prokofiev’s Scythian Suite (which I do not know.)  I know they are trying to be funny (well, I presume)…but…well, check it out yourself if you like. (Oh, you see what I did there??)

I probably won’t attend, I’ll be resting up to kick butt in the Go! St Louis Half Marathon the next day.  I’d listen on the radio, but I imagine it would blow my speakers out.  (haha).

La Boheme

Local readers—come out and see Winter Opera St Louis perform La Boheme this Friday night at 8 pm, with a repeat performance Sunday at 2 pm.  It’s one of the most beautiful operas ever written.  I’ll be in the pit, so come say hello.

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It’s been a busy week with rehearsals going until 11 pm almost every night! 

I managed to get a great run in this morning with Jen.  My trainer told me to do 40 minutes of 4 minutes running (easy), 30 seconds of sprinting.  I programmed my Garmin (205) to beep at each change, and off we went.  I guess I ended up programming it for 45 minutes, but it was a great workout.  Really tough though, and we had to take a few walk breaks, but managed to do all the sprints.  At the end we were still about 2 miles from the car so we "yogged" the rest of the way.  It was my first run this week, and I felt great afterwards.

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Chris sent me this picture the other day. 

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Today I countered with an upside side down kitty.

Yeah…we lead pretty exciting lives!  That’s how we roll.